Why you messing with my mind




















I wake up groggy and spend every day moving from the couch to the dining-room table to the bed and back. At some point night falls, and at some point after that I close work-related browser windows and open leisure-related ones.

I miss my little rat friends, but I am usually too tired to call them. Read: The most likely timeline for life to return to normal. Sometimes I imagine myself as a Sim, a diamond-shaped cursor hovering above my head as I go about my day. Tasks appear, and I do them.

Mealtimes come, and I eat. Needs arise, and I meet them. I have a finite suite of moods, a limited number of possible activities, a set of strings being pulled from far offscreen. Everything is two-dimensional, fake, uncanny.

My world is as big as my apartment, which is not very big at all. No one is working at their highest capacity. So The Sims 4, released in , does not automatically create memories. PC users can manually enter them, and Sims can temporarily feel feelings: happy, tense, flirty. But for the most part, a Sim is a hollow vessel, more like a machine than a living thing.

Still love the way he talk, still love the way I sing Still love the way he rock them black diamonds in that chain Still all up on each other, ain't a damn thing change My girls can't tell me nothing, I'm gone in the brain.

Me and my boo and my boo lip locking All up in the back because the chicks keep flocking All that gossip in 10 years stop it London speed it up, Houston rock it. Ooo Boy you lookin' like you like what you see Won't you come over and check up on it, I might let you work up on it Ladies let em check up on it, watch it while he check up on it Dip it, pop it, twerk it, stop it, check on me tonight.

Chorus: Background Singers Ooo Boy you lookin' like you like what you see Won't you come over and check up on it, I might let you work up on it Ladies let em check up on it, watch it while he check up on it Dip it, pop it, twerk it, stop it, check on me tonight.

Boy, I try to catch myself But I'm out of control Your sexiness is so appealing I can't let it go, oh. Hova's flow so unusual Baby girl, you should already know It's H-O, light up the dro' 'Cause you gon' need help tryin' to study my bounce Flow, blow--what's the difference? Slater Thorpe: We got snares, cymbals, quads, and base. This song is dedicated to all the incredible women that opened up the doors for me.

Thank you so much ladies. Do we have any strong women out there tonight? Sing along. Girls, we run this motha, yeah Girls, we run this motha, yeah Girls, we run this motha, yeah Girls we run this motha,.

Who run the world? Girls Who run the world? Who run this motha? Girls Who run this motha? Some of them men think They freak this like we do But no they don't Make your check come at they neck Disrespect us no they won't. This goes out to all my girls That's in the club rocking the latest Who will buy it for themselves And get more money later. I think I need a barber None of these n can fight me I'm so good with this, I remind you I'm so hood with this.

My persuasion can build a nation Endless power With our love we can devour You'll do anything for me. Who are we? What do we run? Michelle If you can't make me say ooo Like the beat of this drum Why you ask for some you ain't really want none If you can't make me say ooo Like the beat of this groove. Say my name, say my name If no one is around you Say baby I love you If you ain'trunnin' game Say my name, say my name You actin' kinda shady Ain'tcallin' me baby Why the sudden change.

Say my name, say my name If no one is around you Say baby I love you If you ain'trunnin' game. Say my name, say my name You actin' kinda shady Ain'tcallin' me baby Why the sudden change. Any other day I would call and you would say Baby how's your day But today, it ain't the same.

Every other word Is "uh-huh" yeah "okay" Could it be that you Are at the crib with another lady. I know you say that I am assuming things Something's going down that's the way it seems Shouldn't be the reason why you're acting strange If nobody's holding you back from me Cause I know how you usually do When you say everything to me times two Why can't you just tell the truth If somebody's there then tell me who.

Say my name, say my name Boy say my name Say baby I love you If you ain'trunnin' game Say my name, say my name You actin' kinda shady Ain'tcallin' me baby Why the sudden change. Say my name Say my name Say my, say my, say my name Say my, say my, say my name Boy say my name Hey say. I Shot it witChelle and kick it wit Kelly or holla at Bey Ya, gotta be g's you way outta your league.

Kelly We like dem boys that be in them lac's leanin' Leanin' Open their mouth their grill gleamin' Gleamin' Candy paint, keep that whip clean and Clean and Sing it yall They always be talkin that country slang, we like.

We keep that beat that be in the back beatin' Beatin' Eyes be so low from there chiefin chiefin I love how he keep my body screamin' Screamin' A rude boy that's good to me, with street credibility. If his status ain't hood I ain'tcheckin' for him Betta be street if he lookin' at me I need a soldier That ain't scared to stand up for me Known to carry big things If you know what I mean.

Everybody say hey Miss Carter. All the way in the back, say Hey Miss Carter. Everybody put your hands together like this. Say I ain't worried, doing me tonight I ain't worried, doing me tonight Louder A little sweat ain't never hurt nobody Sing A little sweat ain't never hurt nobody While y'allstandin' on the wall Sing While y'allstandin' on the wall I'm the one tonight gettin' bodied I'm the one tonight gettin' bodied Say Get me bodied Sing Get me bodied Get me bodied Get me bodied You want my body Sing You want my body Get me bodied.

Baby, all I want Is to let it go Ain't no worries, no We can dance all night Get me bodied That means come closer to me While we grind to the beat And your body Baby all I need Is to let it be Ain't no worries, no Boy, dance with me Feel my body That means come closer to me While we grind to the beat And your body.

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Two clicks install ». What We Five actually sings:. When I woke up this morning You were on my mind, And I've got troubles, woe, oh woe, I got worries, woe, oh woe, I got wounds to bind. So I went to the corner Just to ease my pai-ai-ai-ai-ain-- I said, just to ease my pain. I got troubled woe, oh woe , I got worried woe, oh woe , I came home again. But I woke up this morning And you were on my mi-i-i-ind, Then Well, I got troubles, woe, oh woe, I got worries, woe, oh woe, I got wounds to bi-ind!

Hey, and I've got a feelin' Down in my sho-oo-oo-oo-oes-- [ ? When I woke up this morning You were on my mi-i-i-i-ind, Then The differences individually may not at first seem so very substantial, but cumulatively they end up giving We Five's version a looming power Fricker's original never had.

Recall first that the "cleaned up" version leaves out the line about getting drunk and sick. In so doing, a bit of vagueness is injected into the lyrics that leaves the listener unable to conclude just what or who really IS on the protagonist's mind.

In other words, the song quickly switches from "girl loses boy" fare to portraying something that is potentially a good deal more ominous. The weight of this dramatic device is accented by the often maligned repeating, with slight variations, of the second line in the first, third, and fifth verses. In We Five's version as I hear it, there is an actual pause in the singing after the first word of the third line in verses one, three, and five one "and" and two "then's" , a device one supposes is used to suggest not only that "you were on my mind" but that try as he or she, of course may, the protagonist cannot get past this barrier to his concentration--that is, that on waking up this is not only the first thought, but the only possible thought.

He then goes "to the corner" for some relief, but by perhaps as we may believe the next day's morning, has still been unable to escape his torment.



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